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Revitalizing the British Crime Thriller with Sexy Beast

September 01, 2015

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The Good, the Bad and the Ugly: Sergio Leone's Dollars Trilogy & The Dehumanization of Late Capitalism

August 31, 2015

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Death Walks at Midnight & Overcoming Trauma

August 30, 2015

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The Fugitive: Hitchcockian Tension in an Action Vehicle

August 29, 2015

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Cracking Up: A Brief Review of Roman Polanski's Repulsion

August 28, 2015

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Amardcord & The Nature of Truth in Storytelling

August 27, 2015

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Sunrise: A Song of Two Humans: The Appeal of Silent Film

August 26, 2015

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Physical Empowerment: Showgirls & Sexual Politics

August 25, 2015

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Sex without Emotion: The Dreary Politics of Shame

August 24, 2015

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Villains as Heroes: The Player & Hollywood Satire

August 23, 2015

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Lawrence of Arabia & the Deadlock of Infinite Drive

August 22, 2015

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Casino: Individualist Business vs. Faceless Capital

August 21, 2015

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Bicycle Thieves & the Economics of Desperation

August 20, 2015

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Wes

Greetings, Meat Popsicle!

Welcome to Screening Notes, my analytical movie review site!

I'm a proud cat dad, culinary amateur, and purveyor of socialist propaganda.

I greatly appreciate comments, positive or negative, so please don't be afraid to speak your mind.

Looking for a review of a specific movie? Try the search bar above or select "Film a Film" to browse an organized archive of my articles in the toolbar above.

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Popular Posts

How The Force Awakens Is a Politically Reversed Remake of the Original Star Wars Trilogy, and What That Means for the Progress — or Regress — of American Ideology

Everybody knows the story of Star Wars . Even if you haven't seen the original three movies made between 1977 and 1983, you will recognize their structure. As every modern review of them loves to point out, they are a close adaptation of Joseph Campbell's Monomyth (aka The Hero's Journey), and as such their story of a young boy answering the call to adventure is a familiar one to audiences of any age or literary expertise. But it's in the details that this tale begins to take on political significance.

Violence in Film (analysis)

Violence in Film The purpose of this essay is an exploration of Walter Benjamin's concept of “divine violence” which he defines in his essay Critique of Violence as the complementary opposite of “mythic” or state-founding violence. The idea for this paper arose from the question, “What would divine violence look like in film? Is it possible to represent divine violence? Is it possible for films to participate in divine violence?” My source for this examination of the possibilities of divine violence in cinema is Slavoj Žižek's recent book, Violence (2008)* in which he analyzes several different types of violence under the premise that violence is not always “bad” violence, and that in fact the most visible violence is rarely the “worst”. Starting from this premise I will attempt to extract Žižek's ideas of what constitutes divine violence as it contrasts other types of violence. Then I will look at sever...

Starship Troopers (analysis)

In anticipation of the release of Ender's Game later tonight I want to talk about another famous science fiction film, Paul Verhoeven's Starship Troopers (1997). The similarities between these two movies aren't limited to the fact that they both feature bugs as enemies. Both Starship Troopers the movie and Ender's Game the book function as satires of militarism. The interesting thing is that, depending on who you ask, critics either didn't understand Starship Troopers 's satire, or (what I find more likely) understood it but found it lacking or inadequate. Honestly this isn't the most incisive satire I've seen since it tries to keep the tone light (making for a more enjoyable experience), but the critique is there. Would you like to know more?

Unpacking Jodorowsky's Climb Up The Holy Mountain

"The skill of the spectator determines the machine's ability to reach a climax." The Holy Mountain is truly unlike anything I've ever seen. It asks a lot of the audience both in terms of doing their own interpretative work and putting up with a lot of grotesque imagery in hopes of a payoff that may never come. That said, it's clear Jodorowsky put more work into it than most viewers ever will: every scene is meticulously constructed on a massive scale.

James Bond Marathon: Casino Royale

"This may be too much for a blunt instrument to understand, but arrogance and self awareness seldom go hand-in-hand." Chronology & Stats James Bond #21 Star: Daniel Craig #1 (my favorite of his) Director: Martin Campbell #2 (my favorite of his) My Ranking #1 For me, this is the one. After my long journey through the Bond franchise, I can finally say with certainty that this is my favorite James Bond movie.

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