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Showing posts with the label sexuality

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The Witch & Social Repression

December 19, 2019

2015 2016 a24 agency civilization drama faith feminism frontier horror humanism humanity ideology paranoia repression robert eggers sexual politics sexuality society the witch

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Self-Discovery and Belonging in Carol

December 07, 2019

2015 agency belonging carol community drama history lb community life the universe and everything particular --> niversal romance self sexual politics sexuality todd haynes

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Death Walks at Midnight & Overcoming Trauma

August 30, 2015

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Physical Empowerment: Showgirls & Sexual Politics

August 25, 2015

analysis dance drama female empowerment female subjectivity feminine jouissance femininity feminism film movie music Paul Verhoeven review satire sexual politics sexuality Showgirls

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Sex without Emotion: The Dreary Politics of Shame

August 24, 2015

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The Strange Color of Your Body's Tears & Sexual Violence

August 07, 2015

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Editing Sexual Violence into Coming of Age in Amer

August 06, 2015

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Attack of the 50 Foot Woman & 1950's Sexual Politics

August 02, 2015

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It Follows: Coming of Age – Sexuality & the Gaze

20154 analysis atmosphere cinematography coming of age film gaze horror It Follows monster monster vision mortality movie review sexuality slasher thriller voyeurism

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Bay of Blood: The Birth of the Slasher

analysis Bay of Blood film greed horror Italy Mario Bava movie murder mystery perspective Reazione a Catena review sexuality slasher thriller trauma Twitch of the Death Nerve

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Ex Machina: Humanity & Sexuality through Science Fiction

2015 Alex Garland analysis artificial intelligence Ex Machina film humanity movie objectification Oscar Isaac review science fiction sexual politics sexuality technology

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A Girl Walks Home Alone at Night: Sexual Anxiety Inverted

2014 2015 A Girl Walks Home Alone at Night analysis cinematography class feminine jouissance femininity feminism film foreign Iran movie noir religion review sexual politics sexuality vampire

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Four Flies on Grey Velvet & Dario Argento's Themes

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Incestuous Sexual Satire in Maps to the Stars

January 19, 2015

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Learning to Turn Alienation into Pride

January 11, 2015

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Wes

Greetings, Meat Popsicle!

Welcome to Screening Notes, my analytical movie review site!

I'm a proud cat dad, culinary amateur, and purveyor of socialist propaganda.

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Popular Posts

How The Force Awakens Is a Politically Reversed Remake of the Original Star Wars Trilogy, and What That Means for the Progress — or Regress — of American Ideology

Everybody knows the story of Star Wars . Even if you haven't seen the original three movies made between 1977 and 1983, you will recognize their structure. As every modern review of them loves to point out, they are a close adaptation of Joseph Campbell's Monomyth (aka The Hero's Journey), and as such their story of a young boy answering the call to adventure is a familiar one to audiences of any age or literary expertise. But it's in the details that this tale begins to take on political significance.

Violence in Film (analysis)

Violence in Film The purpose of this essay is an exploration of Walter Benjamin's concept of “divine violence” which he defines in his essay Critique of Violence as the complementary opposite of “mythic” or state-founding violence. The idea for this paper arose from the question, “What would divine violence look like in film? Is it possible to represent divine violence? Is it possible for films to participate in divine violence?” My source for this examination of the possibilities of divine violence in cinema is Slavoj Žižek's recent book, Violence (2008)* in which he analyzes several different types of violence under the premise that violence is not always “bad” violence, and that in fact the most visible violence is rarely the “worst”. Starting from this premise I will attempt to extract Žižek's ideas of what constitutes divine violence as it contrasts other types of violence. Then I will look at sever...

James Bond Marathon: Casino Royale

"This may be too much for a blunt instrument to understand, but arrogance and self awareness seldom go hand-in-hand." Chronology & Stats James Bond #21 Star: Daniel Craig #1 (my favorite of his) Director: Martin Campbell #2 (my favorite of his) My Ranking #1 For me, this is the one. After my long journey through the Bond franchise, I can finally say with certainty that this is my favorite James Bond movie.

Unpacking Jodorowsky's Climb Up The Holy Mountain

"The skill of the spectator determines the machine's ability to reach a climax." The Holy Mountain is truly unlike anything I've ever seen. It asks a lot of the audience both in terms of doing their own interpretative work and putting up with a lot of grotesque imagery in hopes of a payoff that may never come. That said, it's clear Jodorowsky put more work into it than most viewers ever will: every scene is meticulously constructed on a massive scale.

James Bond Marathon: Quantum of Solace

"They say you're judged by the strength of your enemies." Chronology & Stats James Bond #22 Star: Daniel Craig #2 Director: Marc Forster #1 (his only one) My Ranking #15 Ironic quote considering the film has one of the most forgettable enemies of the series.

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