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Showing posts with the label Drive

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Lawrence of Arabia & the Deadlock of Infinite Drive

August 22, 2015

action adventure analysis character development cinematography drama Drive epic existentialism film film history Lawrence of Arabia movie review

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Damien Chazelle Gives Hollywood a Case of Cinematic Whiplash

January 05, 2015

2014 analysis awards season best best of the year Drive editing favorite film J.K. Simmons Miles Teller movie music Oscars psychoanalysis review score sound storytelling Whiplash

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Collateral (quickie)

August 21, 2013

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Elysium (review)

August 20, 2013

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The Prestige (analysis)

analysis Big Other Christopher Nolan desire Drive explained film identity Jacques Lacan movie objet a review sacrifice self-sacrifice Slavoj Zizek The Prestige thesis Todd McGowan

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Kindergarten Cop (review)

analysis Arnold Schwarzenegger desire Drive Eleanor Crisp film John Kimble Joyce Palmieri Kindergarten Cop Lacan maternal superego movie psychoanalysis quotes Rachel Crisp review Zizek

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I Heart Huckabees (analysis)

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Layer Cake (review)

Agamben analysis cinematography Drive ending film theory Guy Ritchie Layer Cake Matthew Vaughn review Shane Snatch Todd McGowan

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Lucky Number Slevin (analysis)

alternate ending alternate version analysis death drive desire Drive explanation fantasy Lucky Number Slevin moribund masculinity Paul McGuigan set design synopsis

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Videodrome (analysis)

January 23, 2013

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Sherlock (analysis & review) & Detective Discussion

January 13, 2013

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Groundhog Day (review)

December 26, 2012

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Le Samourai (analysis)

December 23, 2012

Alain Delon Big Other desire Drive empty gesture Jean_Pierre Melville Jef Costello jouissance Le Samourai mise-en-scène plaisir Real sinthome Symbolic symtom

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Ethics in Pulp Fiction

Drive Ethics Pulp Fiction

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Wes

Greetings, Meat Popsicle!

Welcome to Screening Notes, my analytical movie review site!

I'm a proud cat dad, culinary amateur, and purveyor of socialist propaganda.

I greatly appreciate comments, positive or negative, so please don't be afraid to speak your mind.

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Popular Posts

How The Force Awakens Is a Politically Reversed Remake of the Original Star Wars Trilogy, and What That Means for the Progress — or Regress — of American Ideology

Everybody knows the story of Star Wars . Even if you haven't seen the original three movies made between 1977 and 1983, you will recognize their structure. As every modern review of them loves to point out, they are a close adaptation of Joseph Campbell's Monomyth (aka The Hero's Journey), and as such their story of a young boy answering the call to adventure is a familiar one to audiences of any age or literary expertise. But it's in the details that this tale begins to take on political significance.

Violence in Film (analysis)

Violence in Film The purpose of this essay is an exploration of Walter Benjamin's concept of “divine violence” which he defines in his essay Critique of Violence as the complementary opposite of “mythic” or state-founding violence. The idea for this paper arose from the question, “What would divine violence look like in film? Is it possible to represent divine violence? Is it possible for films to participate in divine violence?” My source for this examination of the possibilities of divine violence in cinema is Slavoj Žižek's recent book, Violence (2008)* in which he analyzes several different types of violence under the premise that violence is not always “bad” violence, and that in fact the most visible violence is rarely the “worst”. Starting from this premise I will attempt to extract Žižek's ideas of what constitutes divine violence as it contrasts other types of violence. Then I will look at sever...

James Bond Marathon: Casino Royale

"This may be too much for a blunt instrument to understand, but arrogance and self awareness seldom go hand-in-hand." Chronology & Stats James Bond #21 Star: Daniel Craig #1 (my favorite of his) Director: Martin Campbell #2 (my favorite of his) My Ranking #1 For me, this is the one. After my long journey through the Bond franchise, I can finally say with certainty that this is my favorite James Bond movie.

Unpacking Jodorowsky's Climb Up The Holy Mountain

"The skill of the spectator determines the machine's ability to reach a climax." The Holy Mountain is truly unlike anything I've ever seen. It asks a lot of the audience both in terms of doing their own interpretative work and putting up with a lot of grotesque imagery in hopes of a payoff that may never come. That said, it's clear Jodorowsky put more work into it than most viewers ever will: every scene is meticulously constructed on a massive scale.

James Bond Marathon: Quantum of Solace

"They say you're judged by the strength of your enemies." Chronology & Stats James Bond #22 Star: Daniel Craig #2 Director: Marc Forster #1 (his only one) My Ranking #15 Ironic quote considering the film has one of the most forgettable enemies of the series.

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