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Showing posts with the label horror

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The Witch & Social Repression

December 19, 2019

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The Lighthouse and the Gothic Sublime

December 08, 2019

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Cracking Up: A Brief Review of Roman Polanski's Repulsion

August 28, 2015

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Tracing Body Parts in Five Dolls for an August Moon

August 09, 2015

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The Strange Color of Your Body's Tears & Sexual Violence

August 07, 2015

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Possession: The Impossibility of Desire and Self Knowledge

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It Follows: Coming of Age – Sexuality & the Gaze

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The Host: South Korea's Crisis of National Identity

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Bay of Blood: The Birth of the Slasher

analysis Bay of Blood film greed horror Italy Mario Bava movie murder mystery perspective Reazione a Catena review sexuality slasher thriller trauma Twitch of the Death Nerve

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Torso: Feminist Politics in the Slasher Genre

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Un Chien Andalou: Experiments in Cinematic Storytelling

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The Beyond: Surreal Gore & Symbolic Instability

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Four Flies on Grey Velvet & Dario Argento's Themes

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Inland Empire: The Dream of a Nightmare Come True

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Perspective vs Technology in The Cat o' Nine Tails

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Argento's Beginning: The Bird with the Crystal Plumage

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The Babadook's Revitalization of the Horror Genre

January 05, 2015

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The Horrifying Proximity of Jake Gyllenhaal & Nightcrawler's Socio-Economic Ideology

November 23, 2014

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Personified Morality in the Third Act of Sunshine

November 16, 2014

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Sharknado 2: The Second One Honors The Asylum Legacy

November 15, 2014

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Wes

Greetings, Meat Popsicle!

Welcome to Screening Notes, my analytical movie review site!

I'm a proud cat dad, culinary amateur, and purveyor of socialist propaganda.

I greatly appreciate comments, positive or negative, so please don't be afraid to speak your mind.

Looking for a review of a specific movie? Try the search bar above or select "Film a Film" to browse an organized archive of my articles in the toolbar above.

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Popular Posts

How The Force Awakens Is a Politically Reversed Remake of the Original Star Wars Trilogy, and What That Means for the Progress — or Regress — of American Ideology

Everybody knows the story of Star Wars . Even if you haven't seen the original three movies made between 1977 and 1983, you will recognize their structure. As every modern review of them loves to point out, they are a close adaptation of Joseph Campbell's Monomyth (aka The Hero's Journey), and as such their story of a young boy answering the call to adventure is a familiar one to audiences of any age or literary expertise. But it's in the details that this tale begins to take on political significance.

Violence in Film (analysis)

Violence in Film The purpose of this essay is an exploration of Walter Benjamin's concept of “divine violence” which he defines in his essay Critique of Violence as the complementary opposite of “mythic” or state-founding violence. The idea for this paper arose from the question, “What would divine violence look like in film? Is it possible to represent divine violence? Is it possible for films to participate in divine violence?” My source for this examination of the possibilities of divine violence in cinema is Slavoj Žižek's recent book, Violence (2008)* in which he analyzes several different types of violence under the premise that violence is not always “bad” violence, and that in fact the most visible violence is rarely the “worst”. Starting from this premise I will attempt to extract Žižek's ideas of what constitutes divine violence as it contrasts other types of violence. Then I will look at sever...

James Bond Marathon: Casino Royale

"This may be too much for a blunt instrument to understand, but arrogance and self awareness seldom go hand-in-hand." Chronology & Stats James Bond #21 Star: Daniel Craig #1 (my favorite of his) Director: Martin Campbell #2 (my favorite of his) My Ranking #1 For me, this is the one. After my long journey through the Bond franchise, I can finally say with certainty that this is my favorite James Bond movie.

Unpacking Jodorowsky's Climb Up The Holy Mountain

"The skill of the spectator determines the machine's ability to reach a climax." The Holy Mountain is truly unlike anything I've ever seen. It asks a lot of the audience both in terms of doing their own interpretative work and putting up with a lot of grotesque imagery in hopes of a payoff that may never come. That said, it's clear Jodorowsky put more work into it than most viewers ever will: every scene is meticulously constructed on a massive scale.

James Bond Marathon: Quantum of Solace

"They say you're judged by the strength of your enemies." Chronology & Stats James Bond #22 Star: Daniel Craig #2 Director: Marc Forster #1 (his only one) My Ranking #15 Ironic quote considering the film has one of the most forgettable enemies of the series.

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