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Showing posts with the label politics

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The Troublesome Conservative Politics of Once Upon a Time in Hollywood

January 13, 2020

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Dark Waters and Systemic Disenfranchisement Under Capitalism

December 10, 2019

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How The Force Awakens Is a Politically Reversed Remake of the Original Star Wars Trilogy, and What That Means for the Progress — or Regress — of American Ideology

December 29, 2015

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James Bond Marathon: Skyfall

November 04, 2015

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James Bond Marathon: Die Another Day

October 30, 2015

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James Bond Marathon: Tomorrow Never Dies

October 28, 2015

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Shooting Both Sides of International Politics in Sicario

October 04, 2015

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Amardcord & The Nature of Truth in Storytelling

August 27, 2015

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Bicycle Thieves & the Economics of Desperation

August 20, 2015

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Chinephilia and Sentimentality in Cinema Paradiso

August 18, 2015

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The Strange Color of Your Body's Tears & Sexual Violence

August 07, 2015

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The Consequences of Impossible Missions in Rogue Nation

August 03, 2015

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Unpacking Jodorowsky's Climb Up The Holy Mountain

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Marvel's Reflection of Social Ideology with Age of Ultron

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Aesthetics vs. Politics in Koyaanisqatsi

February 25, 2015

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The Imitation Game Imitates Stale Biopic Formula

January 05, 2015

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Broadcast News: The Fall of American Media

December 31, 2014

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Birdman: Technical, Psychological, Political

November 15, 2014

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A Most Wanted Man: Performance vs Politics

November 12, 2014

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Identity Politics & Being "Gone" in Gone Girl (Full Analysis)

October 19, 2014

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Wes

Greetings, Meat Popsicle!

Welcome to Screening Notes, my analytical movie review site!

I'm a proud cat dad, culinary amateur, and purveyor of socialist propaganda.

I greatly appreciate comments, positive or negative, so please don't be afraid to speak your mind.

Looking for a review of a specific movie? Try the search bar above or select "Film a Film" to browse an organized archive of my articles in the toolbar above.

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Popular Posts

Violence in Film (analysis)

Violence in Film The purpose of this essay is an exploration of Walter Benjamin's concept of “divine violence” which he defines in his essay Critique of Violence as the complementary opposite of “mythic” or state-founding violence. The idea for this paper arose from the question, “What would divine violence look like in film? Is it possible to represent divine violence? Is it possible for films to participate in divine violence?” My source for this examination of the possibilities of divine violence in cinema is Slavoj Žižek's recent book, Violence (2008)* in which he analyzes several different types of violence under the premise that violence is not always “bad” violence, and that in fact the most visible violence is rarely the “worst”. Starting from this premise I will attempt to extract Žižek's ideas of what constitutes divine violence as it contrasts other types of violence. Then I will look at sever...

How The Force Awakens Is a Politically Reversed Remake of the Original Star Wars Trilogy, and What That Means for the Progress — or Regress — of American Ideology

Everybody knows the story of Star Wars . Even if you haven't seen the original three movies made between 1977 and 1983, you will recognize their structure. As every modern review of them loves to point out, they are a close adaptation of Joseph Campbell's Monomyth (aka The Hero's Journey), and as such their story of a young boy answering the call to adventure is a familiar one to audiences of any age or literary expertise. But it's in the details that this tale begins to take on political significance.

Starship Troopers (analysis)

In anticipation of the release of Ender's Game later tonight I want to talk about another famous science fiction film, Paul Verhoeven's Starship Troopers (1997). The similarities between these two movies aren't limited to the fact that they both feature bugs as enemies. Both Starship Troopers the movie and Ender's Game the book function as satires of militarism. The interesting thing is that, depending on who you ask, critics either didn't understand Starship Troopers 's satire, or (what I find more likely) understood it but found it lacking or inadequate. Honestly this isn't the most incisive satire I've seen since it tries to keep the tone light (making for a more enjoyable experience), but the critique is there. Would you like to know more?

Unpacking Jodorowsky's Climb Up The Holy Mountain

"The skill of the spectator determines the machine's ability to reach a climax." The Holy Mountain is truly unlike anything I've ever seen. It asks a lot of the audience both in terms of doing their own interpretative work and putting up with a lot of grotesque imagery in hopes of a payoff that may never come. That said, it's clear Jodorowsky put more work into it than most viewers ever will: every scene is meticulously constructed on a massive scale.

The Cabin In The Woods Bestiary

So my analysis of The Cabin in the Woods is taking longer than I expected, mostly because I keep getting distracted by how awesome the movie is . One thing I couldn't help making was this, a list of all the possible monsters which could have terrorized the poor occupants of the cabin (in the woods). So while you wait for me to stop being distracted , enjoy this compilation. (Also please note if you're using Google Chrome then adding Hover Zoom will help you fully enjoy this article - don't worry it's free.) EDIT: My analysis of the movie is finished and can be found here . EDIT2: Someone put some of the images on imgur here , so check it that out if you like. The Cabin In The Woods Bestiary These are in the order seen on the betting board behind Richard Jenkins Werewolf , bet on by Finance. Pretty generic monster. Alien Beast , bet on by Bio Med. Some sources claim a much more direct refe...

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