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Showing posts with the label Gone Girl

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Gone Girl: What's Lost from Page to Screen?

February 12, 2015

adaptation analysis book controversy David Fincher feminism femme fatale film Gillian Flynn Gone Girl movie novel review sexual politics writing

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Oscar Season 2015: Discussion and Breakdown

January 19, 2015

2014 2015 Academy Awards analysis awards awards season Birdman Boyhood Captain America film Gone Girl Interstellar movie Oscar snubs Oscars snubs The Grand Budapest Hotel The Imitation Game The Oscars

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Top 10 Films of 2014

January 01, 2015

2014 Babadook best Birdman Boyhood favorite film Gone Girl Grand Budapest Hotel Guardians of the Galaxy Interstellar Lego Movie list movies Nightcrawler Oscars ranked review top 10 Whiplash

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Quantifying the 2014–2015 Golden Globe Nominations

December 11, 2014

2014 2015 acting analysis awards season best of the year Birdman Boyhood directing film Golden Globes Gone Girl Interstellar movie Nightcrawler writing

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Identity Politics & Being "Gone" in Gone Girl (Full Analysis)

October 19, 2014

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Identity Politics & Being "Gone" in Gone Girl (Spoiler-Free)

October 03, 2014

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Wes

Greetings, Meat Popsicle!

Welcome to Screening Notes, my analytical movie review site!

I'm a proud cat dad, culinary amateur, and purveyor of socialist propaganda.

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Popular Posts

James Bond Marathon: Casino Royale

"This may be too much for a blunt instrument to understand, but arrogance and self awareness seldom go hand-in-hand." Chronology & Stats James Bond #21 Star: Daniel Craig #1 (my favorite of his) Director: Martin Campbell #2 (my favorite of his) My Ranking #1 For me, this is the one. After my long journey through the Bond franchise, I can finally say with certainty that this is my favorite James Bond movie.

Unpacking Jodorowsky's Climb Up The Holy Mountain

"The skill of the spectator determines the machine's ability to reach a climax." The Holy Mountain is truly unlike anything I've ever seen. It asks a lot of the audience both in terms of doing their own interpretative work and putting up with a lot of grotesque imagery in hopes of a payoff that may never come. That said, it's clear Jodorowsky put more work into it than most viewers ever will: every scene is meticulously constructed on a massive scale.

James Bond Marathon: Quantum of Solace

"They say you're judged by the strength of your enemies." Chronology & Stats James Bond #22 Star: Daniel Craig #2 Director: Marc Forster #1 (his only one) My Ranking #15 Ironic quote considering the film has one of the most forgettable enemies of the series.

The Prestige (analysis)

Are you watching closely? The following is a close reading of Chistopher Nolan's masterpiece The Prestige (2006) based on Todd McGowan's amazing analysis in the relevant chapter of his book The Fictional Christopher Nolan . You don't have to read the book to understand what I'm about to say since my article is meant to stand on its own feet. I just wanted to acknowledge my inspiration in this regard since Todd has been and continues to be my biggest influence in the world of film theory. Thank you, Todd. The Prestige follows two rival magicians, Alfred Borden (Christian Bale) and Robert Angier (Hugh Jackman) on their quest to create the world's greatest magic trick. As with many of Nolan's non-Batman films, the story does not unfold chronologically and instead is told through each man reading the other's diary. For your comprehension as well as my own, and to make sure we're both on the same page, I've made a strictly chronological account of...

Layer Cake (review)

Just to make this easier for some of you: if you are a big fan of the Guy Ritchie film-making method (e.g. Lock, Stock and Two Smoking Barrels (1998), Snatch (2000), etc.) then do yourself a favor, stop reading this review, and just go see Layer Cake (2004). It might be the best of its kind. For those of you who might be unfamiliar with Guy Ritchie's style, his movies generally take place in the seedy underbelly of England and involve crime and usually drugs. The way he tells his stories is what stands out for most people and should appeal to anyone who likes to "figure out" movies (or likes to be confused). Despite the deceptive ensemble casting there's usually a pretty clear protagonist (who often gives a voice-over at the film's beginning) and throughout the film the audience is (almost) never told/shown anything the protagonist wouldn't hear/see. This often leads the protagonist and the audience into situations they can't have expected (although ...

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