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Showing posts from June, 2015

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Weekly Quick Notes: Two-Lane Blacktop, The Warriors

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The Story of Film: An Odyssey & Subjective vs. Objective

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Visual Storytelling & Interrogating Revenge in Blue Ruin

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Inside Out: The Importance of Sadness in Childhood Emotional & Psychological Development

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Dressed to Kill: Brian De Palma, Hitchcock, and Sexuality

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The Fountainhead: A Portrait of Ayn Rand's Objectivism

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The Host: South Korea's Crisis of National Identity

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Jurassic World & The Extinction of the Power of Spectacle

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Rebecca vs. The Birds & Hitchcock's Superegoic Romance

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Unpacking Jodorowsky's Climb Up The Holy Mountain

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Tomorrowland & the Importance of Perspective

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Happy Together: Hong Kong Romantic Expressionism

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Twin Peaks: Fire Walk with Me & David Lynch's Duality

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Blackhat: Michael Mann's Ethics in the Digital World

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On the Beach & Historical Science Fiction Dystopias

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Wes

Greetings, Meat Popsicle!

Welcome to Screening Notes, my analytical movie review site!

I'm a proud cat dad, culinary amateur, and purveyor of socialist propaganda.

I greatly appreciate comments, positive or negative, so please don't be afraid to speak your mind.

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Popular Posts

The Bechdel Test (analysis)

The origin of the Bechdel Test. So, if you weren't aware, there's this thing called the Bechdel Test created in 1985 by Alison Bechdel (in the comic strip above) for the purpose of some culturally-aware humor and since used by film critics to evaluate gender bias in film (and other media apparently—thanks Wikipedia!). In order to pass the test (if you didn't read the comic) a movie must (1) have two named female characters in it who (2) have a conversation about (3) something other than a man. Pretty simple. The problem is that according to bechdeltest.com , only about half of all films pass (the website definitely leans more toward American movies but certainly doesn't exclude foreign film). So what does this mean?

Top 5 (Favorite) Classic Disney Animated Features

Like many others out there, I grew up with many of the classic Disney cartoons on my television. Disney, to some extent, taught us how to grow up. But how do these movies look today, revisited with a more mature eye (and hopefully brain)? How did they look to our parents watching them over our shoulders? One thing is undeniable: Disney undoubtedly has its faults ( racism ). On the other hand, however, it's hard to deny the extraordinary amount of talent that went into making the early Disney animations, both in terms of aesthetics and thematics. With that in mind, I rewatched several of what I remembered as my favorite of the original Disney feature length cartoons (as opposed to the modern classics of the 90's renaissance) and reevaluated them. So, here are my Top 5 classic Disney animated features. Also I grabbed all the amazing title screens for your enjoyment.

Security, Surveillance, and Morality in Minority Report

Minority Report 's PreCrime division may be a science fiction concept in the sense that it relies on three characters with genetic mutations that allow them to magically see the future, but the idea of arresting people for something they intend to do but have not yet done feels less and less like a futuristic concept.

The Cabin In The Woods Bestiary

So my analysis of The Cabin in the Woods is taking longer than I expected, mostly because I keep getting distracted by how awesome the movie is . One thing I couldn't help making was this, a list of all the possible monsters which could have terrorized the poor occupants of the cabin (in the woods). So while you wait for me to stop being distracted , enjoy this compilation. (Also please note if you're using Google Chrome then adding Hover Zoom will help you fully enjoy this article - don't worry it's free.) EDIT: My analysis of the movie is finished and can be found here . EDIT2: Someone put some of the images on imgur here , so check it that out if you like. The Cabin In The Woods Bestiary These are in the order seen on the betting board behind Richard Jenkins Werewolf , bet on by Finance. Pretty generic monster. Alien Beast , bet on by Bio Med. Some sources claim a much more direct refe...

12 Years a Slave (review)

12 Years a Slave is the newest film from director Steve McQueen, and with Oscar season in full swing it is getting a lot of press as a likely movie not only to be nominated for Best Picture, but to possibly win the category. Before watching the movie I regarded the reasons for this cynically: sure it's probably a great film, but it's an easy pick for Best Picture because of white guilt and all that. Now that I watched it, I couldn't be more embarrassed by my cynicism. 12 Years a Slave is the most emotionally moving film I've seen this year, it's filmed and acted beautifully by its cast and crew, and it confronts the issues of racism and slavery with sensitivity and compassion. It just might be the best movie of the year. That said, I think there are perfectly justifiable reasons not to like this movie, so let's first take a look at what it is not as a backdoor into talking about what makes it so great.

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