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Showing posts from 2015

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How The Force Awakens Is a Politically Reversed Remake of the Original Star Wars Trilogy, and What That Means for the Progress — or Regress — of American Ideology

December 29, 2015

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James Bond Marathon: Spectre

November 05, 2015

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James Bond Marathon: Skyfall

November 04, 2015

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James Bond Marathon: Quantum of Solace

November 03, 2015

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James Bond Marathon: Casino Royale

November 02, 2015

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James Bond Marathon: Die Another Day

October 30, 2015

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James Bond Marathon: The World Is Not Enough

October 29, 2015

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James Bond Marathon: Tomorrow Never Dies

October 28, 2015

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James Bond Marathon: GoldenEye

October 27, 2015

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James Bond Marathon: Licence to Kill

October 26, 2015

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James Bond Marathon: The Living Daylights

October 23, 2015

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James Bond Marathon: A View to a Kill

October 22, 2015

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James Bond Marathon: Octopussy

October 21, 2015

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James Bond Marathon: For Your Eyes Only

October 20, 2015

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James Bond Marathon: Moonraker

October 19, 2015

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James Bond Marathon: The Spy Who Loved Me

October 16, 2015

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James Bond Marathon: The Man with the Golden Gun

October 15, 2015

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James Bond Marathon: Live and Let Die

October 14, 2015

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James Bond Marathon: Diamonds Are Forever

October 13, 2015

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James Bond Marathon: On Her Majesty's Secret Service

October 12, 2015

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James Bond Marathon: You Only Live Twice

October 09, 2015

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James Bond Marathon: Thunderball

October 08, 2015

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James Bond Marathon: Goldfinger

October 07, 2015

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James Bond Marathon: From Russia with Love

October 06, 2015

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James Bond Marathon: Dr. No

October 05, 2015

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Shooting Both Sides of International Politics in Sicario

October 04, 2015

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Revitalizing the British Crime Thriller with Sexy Beast

September 01, 2015

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The Good, the Bad and the Ugly: Sergio Leone's Dollars Trilogy & The Dehumanization of Late Capitalism

August 31, 2015

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Death Walks at Midnight & Overcoming Trauma

August 30, 2015

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The Fugitive: Hitchcockian Tension in an Action Vehicle

August 29, 2015

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Cracking Up: A Brief Review of Roman Polanski's Repulsion

August 28, 2015

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Amardcord & The Nature of Truth in Storytelling

August 27, 2015

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Sunrise: A Song of Two Humans: The Appeal of Silent Film

August 26, 2015

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Physical Empowerment: Showgirls & Sexual Politics

August 25, 2015

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Sex without Emotion: The Dreary Politics of Shame

August 24, 2015

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Villains as Heroes: The Player & Hollywood Satire

August 23, 2015

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Lawrence of Arabia & the Deadlock of Infinite Drive

August 22, 2015

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Casino: Individualist Business vs. Faceless Capital

August 21, 2015

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Bicycle Thieves & the Economics of Desperation

August 20, 2015

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Dog Day Afternoon: Case Study in Character Development

August 19, 2015

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Chinephilia and Sentimentality in Cinema Paradiso

August 18, 2015

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The Man from U.N.C.L.E.: Spy Thriller or Costume Drama?

August 17, 2015

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The Mundanity of Espionage in The Ipcress File

August 16, 2015

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The Origins of the Espionage Thriller in Fritz Lang's Spies

August 15, 2015

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The Colors of Outer Space in Planet of the Vampires

August 10, 2015

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Tracing Body Parts in Five Dolls for an August Moon

August 09, 2015

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The Unconventional Path to Accepting Our Faults

August 08, 2015

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The Strange Color of Your Body's Tears & Sexual Violence

August 07, 2015

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Editing Sexual Violence into Coming of Age in Amer

August 06, 2015

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Pushing the Boundaries of Storytelling in Pierrot le fou

August 05, 2015

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Wes

Greetings, Meat Popsicle!

Welcome to Screening Notes, my analytical movie review site!

I'm a proud cat dad, culinary amateur, and purveyor of socialist propaganda.

I greatly appreciate comments, positive or negative, so please don't be afraid to speak your mind.

Looking for a review of a specific movie? Try the search bar above or select "Film a Film" to browse an organized archive of my articles in the toolbar above.

Like what you see? Use the links below to follow me on Letterboxd, Facebook, or Twitter!

Popular Posts

The Value of Science Fiction (analysis)

Jeff Russell's Starship Dimensions Maybe it's just me, but I feel like science fiction has a bad reputation. I have a distinct memory of going to see Oblivion with some friends, after which they said that it was fun but a little too unreal. While they enjoyed it for what it was, they didn't see the thematic value it contained. I don't think this was their fault as a viewer; on the contrary I get the feeling that the reputation of science fiction as little more than escapism conditions our brains to ignore the films' deeper aspects and just enjoy their spectacle. There are gonna be some spaceships, some aliens, and probably some battles between the spaceships and the aliens. Then when people do get critical of sci-fi they level their critique at the wrong things: you can't use a fire extinguisher as a jet pack, artificial gravity wouldn't work like that, those aliens don't look real. We need to change the way we think about science fiction because

The Cabin In The Woods Bestiary

So my analysis of The Cabin in the Woods is taking longer than I expected, mostly because I keep getting distracted by how awesome the movie is . One thing I couldn't help making was this, a list of all the possible monsters which could have terrorized the poor occupants of the cabin (in the woods). So while you wait for me to stop being distracted , enjoy this compilation. (Also please note if you're using Google Chrome then adding Hover Zoom will help you fully enjoy this article - don't worry it's free.) EDIT: My analysis of the movie is finished and can be found here . EDIT2: Someone put some of the images on imgur here , so check it that out if you like. The Cabin In The Woods Bestiary These are in the order seen on the betting board behind Richard Jenkins Werewolf , bet on by Finance. Pretty generic monster. Alien Beast , bet on by Bio Med. Some sources claim a much more direct reference to the Alien movies than this picture

Witness (quickie)

As someone who grew up with Han Solo and Indiana Jones, there's a soft spot in my heart for Harrison Ford. A few months ago, I ran around the internet looking for more movies starring him and stumbled across the 80's police-drama-slash-crime-thriller Witness (for those of you looking for the same, check out Francis Ford Coppola's The Conversation , it's the youngest I've seen Ford in a relatively big role and it's just a fantastic film). I finally got a chance to watch the movie, and while there's not really anything wrong with it, it's also not the most amazing movie you'll ever see.

Dark Waters and Systemic Disenfranchisement Under Capitalism

"The system is rigged! They want us to think it’ll protect us. We protect us!" When corporations realize they're too big to fail, they start putting human lives at risk in exchange for short-term financial gains, and we let them do it because we're terminally disenfranchised, we're bound to the system that oppresses us, we can't adequately resist because we need money to buy food and pay for shelter. A small-town farmer's cattle are dying by the hundreds, and he's convinced that a nearby landfill is to blame, but no one with any power will return his phone calls, so he desperately resorts to a tangential family connection and asks a corporate defense lawyer to switch sides and prosecute the very people he became successful protecting. In this way, Dark Waters develops a double-edged conflict: the people most affected by these corporations have no power to do anything about it, and the only people who do have the power to do something are a

Layer Cake (review)

Just to make this easier for some of you: if you are a big fan of the Guy Ritchie film-making method (e.g. Lock, Stock and Two Smoking Barrels (1998), Snatch (2000), etc.) then do yourself a favor, stop reading this review, and just go see Layer Cake (2004). It might be the best of its kind. For those of you who might be unfamiliar with Guy Ritchie's style, his movies generally take place in the seedy underbelly of England and involve crime and usually drugs. The way he tells his stories is what stands out for most people and should appeal to anyone who likes to "figure out" movies (or likes to be confused). Despite the deceptive ensemble casting there's usually a pretty clear protagonist (who often gives a voice-over at the film's beginning) and throughout the film the audience is (almost) never told/shown anything the protagonist wouldn't hear/see. This often leads the protagonist and the audience into situations they can't have expected (although

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content1 forward1 foucault1 fracking1 framework1 freeganism1 friendship1 frontier1 funny1 furniture1 generational1 gimmick1 girl power1 gothic1 grace1 gross1 guest writer1 hallucination1 he Amazing Spider-Man 21 hegemony1 helplessness1 heroic bloodshed1 highlights1 holes1 homage1 home1 homosexuality1 hyper-reality1 idea1 idealism1 ideas1 identification1 ideoogy1 imagery1 immigrants1 immortality1 imperialism1 impotence1 improv1 include1 incoherent1 independent1 industry1 inspiration1 intent1 international1 intolerance1 j.j. abrams1 jessica hausner1 jingoism1 jump scares1 klaatu barada nikto1 kung-fu1 lamella1 landscapes1 last lines1 lb community1 legend1 length1 life the universe and everything1 lighter1 liquid breathing1 little joe1 live recording1 local1 logic1 loneliness1 long1 loss1 lost1 love desire1 love story1 loyalty1 lungs1 magic1 makeup1 male-dominated1 mandingo1 masterpiece1 maturity1 medium1 melancholy1 meta-cinema1 meta-theater1 metareview1 microcosm1 mind meld1 mindfuck1 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quicksilver1 quirky1 raven1 razzies1 realism1 recut1 red herring1 reivew1 relationship1 relativism1 relief workers1 remakes1 remove1 repetition1 replicant1 representation1 retrospective1 return of the repressed1 reverse Bechdel test1 revisited1 revolution1 revolutionary1 rian johnson1 rights1 road trip1 robots1 role1 save us from ourselves1 scale1 scattered1 scene1 scenes1 schizophrenic1 scream1 script1 security1 self-aware1 sense1 series1 sexual1 sexual intolerance1 shape1 sharks1 shots1 side plots1 simplified1 singularity1 sister1 slapstick1 slow motion1 socialism1 source material1 speculation1 spiders1 spike lee1 split subjectivity1 squid1 stakes1 star wars rewatch project1 stats1 step printing1 stomach vagina1 strange1 structuralism1 stubborn attachment1 studio interference1 sublime1 subtext1 subversion1 suicide1 superhero genre1 surface1 surprises1 sword1 symptom1 symtom1 synthesis1 talent1 tangents1 teaser1 the last jedi1 the lighthouse1 the witch1 theater1 theatrical1 then and now1 third act1 thriiler1 throwback1 ticket sales1 tiger1 time1 timeline1 timelines1 top 1001 top 5 comedies1 torture1 totalitarianism1 tradition1 trailers1 transgender1 transgression1 transparency1 traverse1 triangle1 tropes1 true love1 twists1 tyranny1 uncertainty1 uncut1 undead1 under the silver lake1 underdeveloped1 underrated1 unicorn1 upcoming1 us theatrical1 us vs them1 vagina dentata1 value1 vampire1 vampires1 vanishing mediator1 vegetarianism1 version1 versions1 victim in field1 victimization1 video nasty1 vigilantism1 visual pleasure1 voice1 voice actors1 voiceover1 vs1 vulgar auteurism1 what is this movie even1 whisper1 whitewashing1 who's there1 whodunit1 wide1 wide angle1 wipes1 wire-fu1 work1 writer's block1 wuxia1 young adult1

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