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Showing posts from October, 2014

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Slither (Octoberfest Horrorthon)

October 31, 2014

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Teeth (Octoberfest Horrorthon)

October 31, 2014

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World War Z (Octoberfest Horrorthon)

October 30, 2014

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Halloween (Octoberfest Horrorthon)

October 30, 2014

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YouTube Horror Shorts (Octoberfest Horrorthon)

October 29, 2014

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Inferno (Octoberfest Horrorthon)

October 28, 2014

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The Blair Witch Project (Octoberfest Horrorthon)

October 28, 2014

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The Village (Octoberfest Horrorthon)

October 27, 2014

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Eyes Without a Face (Octoberfest Horrorthon)

October 26, 2014

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The Mummy (Octoberfest Horrorthon)

October 26, 2014

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The Art of Madness in The Darkness Within

October 24, 2014

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Tenebre (Octoberfest Horrorthon)

October 24, 2014

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Police Violence and Sexual Intolerance in Sabotage

October 23, 2014

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Phenomena (Octoberfest Horrorthon)

October 22, 2014

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The Brood (Octoberfest Horrorthon)

October 22, 2014

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The Hound of the Baskervilles (Octoberfest Horrorthon)

October 21, 2014

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Beetlejuice (Octoberfest Horrorthon)

October 21, 2014

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SIFLW: Early Claymation & Stop-Motion Shorts

October 20, 2014

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Identity Politics & Being "Gone" in Gone Girl (Full Analysis)

October 19, 2014

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The Boxtrolls: Beautiful Box, But What's Inside?

October 18, 2014

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Deep Red (Octoberfest Horrorthon)

October 17, 2014

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Rope & Silence of the Lambs (Octoberfest Horrorthon)

October 17, 2014

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The Maze Runner's Response to Dystopian YA

October 15, 2014

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Day of the Triffids (Octoberfest Horrorthon)

October 14, 2014

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28 Days Later... (Octoberfest Horrorthon)

October 13, 2014

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Suspiria (Octoberfest Horrorthon)

October 13, 2014

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Tetsuo: The Iron Man (Octoberfest Horrorthon)

October 09, 2014

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The Curse of Frankenstein (Octoberfest Horrorthon)

October 09, 2014

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Chef's Allegory for the Problems of Hollywood

October 07, 2014

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Dracula (Octoberfest Horrorthon)

October 06, 2014

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Evil Dead (Octoberfest Horrorthon)

October 06, 2014

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Identity Politics & Being "Gone" in Gone Girl (Spoiler-Free)

October 03, 2014

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Wes

Greetings, Meat Popsicle!

Welcome to Screening Notes, my analytical movie review site!

I'm a proud cat dad, culinary amateur, and purveyor of socialist propaganda.

I greatly appreciate comments, positive or negative, so please don't be afraid to speak your mind.

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Popular Posts

The Value of Science Fiction (analysis)

Jeff Russell's Starship Dimensions Maybe it's just me, but I feel like science fiction has a bad reputation. I have a distinct memory of going to see Oblivion with some friends, after which they said that it was fun but a little too unreal. While they enjoyed it for what it was, they didn't see the thematic value it contained. I don't think this was their fault as a viewer; on the contrary I get the feeling that the reputation of science fiction as little more than escapism conditions our brains to ignore the films' deeper aspects and just enjoy their spectacle. There are gonna be some spaceships, some aliens, and probably some battles between the spaceships and the aliens. Then when people do get critical of sci-fi they level their critique at the wrong things: you can't use a fire extinguisher as a jet pack, artificial gravity wouldn't work like that, those aliens don't look real. We need to change the way we think about science fiction because

The Cabin In The Woods Bestiary

So my analysis of The Cabin in the Woods is taking longer than I expected, mostly because I keep getting distracted by how awesome the movie is . One thing I couldn't help making was this, a list of all the possible monsters which could have terrorized the poor occupants of the cabin (in the woods). So while you wait for me to stop being distracted , enjoy this compilation. (Also please note if you're using Google Chrome then adding Hover Zoom will help you fully enjoy this article - don't worry it's free.) EDIT: My analysis of the movie is finished and can be found here . EDIT2: Someone put some of the images on imgur here , so check it that out if you like. The Cabin In The Woods Bestiary These are in the order seen on the betting board behind Richard Jenkins Werewolf , bet on by Finance. Pretty generic monster. Alien Beast , bet on by Bio Med. Some sources claim a much more direct reference to the Alien movies than this picture

Witness (quickie)

As someone who grew up with Han Solo and Indiana Jones, there's a soft spot in my heart for Harrison Ford. A few months ago, I ran around the internet looking for more movies starring him and stumbled across the 80's police-drama-slash-crime-thriller Witness (for those of you looking for the same, check out Francis Ford Coppola's The Conversation , it's the youngest I've seen Ford in a relatively big role and it's just a fantastic film). I finally got a chance to watch the movie, and while there's not really anything wrong with it, it's also not the most amazing movie you'll ever see.

Dark Waters and Systemic Disenfranchisement Under Capitalism

"The system is rigged! They want us to think it’ll protect us. We protect us!" When corporations realize they're too big to fail, they start putting human lives at risk in exchange for short-term financial gains, and we let them do it because we're terminally disenfranchised, we're bound to the system that oppresses us, we can't adequately resist because we need money to buy food and pay for shelter. A small-town farmer's cattle are dying by the hundreds, and he's convinced that a nearby landfill is to blame, but no one with any power will return his phone calls, so he desperately resorts to a tangential family connection and asks a corporate defense lawyer to switch sides and prosecute the very people he became successful protecting. In this way, Dark Waters develops a double-edged conflict: the people most affected by these corporations have no power to do anything about it, and the only people who do have the power to do something are a

Layer Cake (review)

Just to make this easier for some of you: if you are a big fan of the Guy Ritchie film-making method (e.g. Lock, Stock and Two Smoking Barrels (1998), Snatch (2000), etc.) then do yourself a favor, stop reading this review, and just go see Layer Cake (2004). It might be the best of its kind. For those of you who might be unfamiliar with Guy Ritchie's style, his movies generally take place in the seedy underbelly of England and involve crime and usually drugs. The way he tells his stories is what stands out for most people and should appeal to anyone who likes to "figure out" movies (or likes to be confused). Despite the deceptive ensemble casting there's usually a pretty clear protagonist (who often gives a voice-over at the film's beginning) and throughout the film the audience is (almost) never told/shown anything the protagonist wouldn't hear/see. This often leads the protagonist and the audience into situations they can't have expected (although

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absolutism1 abstract1 accessibility1 actor1 adults1 age1 aladdin1 alien invasion1 alita: battle angel1 alternate ending1 alternate version1 ambiguity1 ambition1 analogies1 analogy1 analyis1 anaylsis1 anime1 anthropology1 anthropomorphism1 anti-war1 anticipated1 anxiety1 artificial intelligence1 atomic bomb1 attentuation1 audio1 auteur theory1 avant-garde1 background1 backward1 beauty1 beauty is in the eye of the beholder1 beer1 beginning1 bell hooks1 belonging1 best picture1 bestiary1 bible1 bigger1 biopower1 black1 blackface1 blanket1 blood1 body horror1 bong joon-ho1 bromance1 brutality1 buddy cop1 building blocks1 callbacks1 cameos1 camera1 cannibalism1 carol1 casting1 castration anxiety1 censorship1 centered1 chance1 chick flick1 child soldier1 chosen one1 cinema magic1 civilization1 classical hollywood1 close up1 coincidence1 comedies1 communism1 compassion1 composition1 con1 conflict1 conflict minerals1 confusing1 confusion1 cons1 conservativism1 consistency1 content1 contrast1 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content1 forward1 foucault1 fracking1 framework1 freeganism1 friendship1 frontier1 funny1 furniture1 generational1 gimmick1 girl power1 gothic1 grace1 gross1 guest writer1 hallucination1 he Amazing Spider-Man 21 hegemony1 helplessness1 heroic bloodshed1 highlights1 holes1 homage1 home1 homosexuality1 hyper-reality1 idea1 idealism1 ideas1 identification1 ideoogy1 imagery1 immigrants1 immortality1 imperialism1 impotence1 improv1 include1 incoherent1 independent1 industry1 inspiration1 intent1 international1 intolerance1 j.j. abrams1 jessica hausner1 jingoism1 jump scares1 klaatu barada nikto1 kung-fu1 lamella1 landscapes1 last lines1 lb community1 legend1 length1 life the universe and everything1 lighter1 liquid breathing1 little joe1 live recording1 local1 logic1 loneliness1 long1 loss1 lost1 love desire1 love story1 loyalty1 lungs1 magic1 makeup1 male-dominated1 mandingo1 masterpiece1 maturity1 medium1 melancholy1 meta-cinema1 meta-theater1 metareview1 microcosm1 mind meld1 mindfuck1 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now1 third act1 thriiler1 throwback1 ticket sales1 tiger1 time1 timeline1 timelines1 top 1001 top 5 comedies1 torture1 totalitarianism1 tradition1 trailers1 transgender1 transgression1 transparency1 traverse1 triangle1 tropes1 true love1 twists1 tyranny1 uncertainty1 uncut1 undead1 under the silver lake1 underdeveloped1 underrated1 unicorn1 upcoming1 us theatrical1 us vs them1 vagina dentata1 value1 vampire1 vampires1 vanishing mediator1 vegetarianism1 version1 versions1 victim in field1 victimization1 video nasty1 vigilantism1 visual pleasure1 voice1 voice actors1 voiceover1 vs1 vulgar auteurism1 what is this movie even1 whisper1 whitewashing1 who's there1 whodunit1 wide1 wide angle1 wipes1 wire-fu1 work1 writer's block1 wuxia1 young adult1

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