Posts

The Lighthouse and the Gothic Sublime

Style as Substance: The Killer – Love is Seeing, Death is Blind

The Conformist: Repressed Guilt, Duty as Denial of Agency, & the Birth (or Death) of the Ethical Subject

Rebecca vs. The Birds & Hitchcock's Superegoic Romance

Notes on Mulholland Drive: Analysis & Trivia

An Inception Retrospective: Responding to Criticism & Interpretation

Finding Nicky: A Local Low-Budget Indie Gem

Oldboy (review) Thriller Mondays